A Look At “Andy And The Orphans”

The play Andy and the Orphans, currently onstage at Sol Theatre courtesy of Primal Forces Productions, was originally titled Amy and the Orphans. This version of the play was gender-flipped to accommodate the casting of Edward Barbanell, a Coral Springs resident who actually understudied the role on Broadway last year and shares his character’s diagnosisContinue reading “A Look At “Andy And The Orphans””

A Visit to “Visiting Mr. Green”

I got a chance to see Jeff Baron’sVisiting Mr. Green this past weekend at Bob Carter’s Actor’s Repertory Company in West Palm Beach, and found the script so old-fashioned that I was initially surprised to find out it was written only in 1996—a little over twenty years ago! Speaking of old-fashioned, it was pretty refreshingContinue reading “A Visit to “Visiting Mr. Green””

A “West Side Story” Well-Told

The “story” of West Side Story is a timeless one.  In fact, the story is so timeless that Shakespeare told it a good few centuries before Arthur Laurents (book), Leonard Bernstein (music), and Stephen Sondheim (music) did when the show premiered in 1957. For those who don’t know, West Side Story was based on theContinue reading “A “West Side Story” Well-Told”

The Weird and The Wonderful In “The Wolves”

I knew from my first glimpse of the set of The Wolves, the Pulitzer Prize finalist of a play by Sarah Delappe playing through the end of this weekend at Zoetic Stage, that I was in for something a little different. Instead of your typical raised stage, I found myself looking down on a hugeContinue reading “The Weird and The Wonderful In “The Wolves””

Honoring The Spookiness of the Season At “An Evening With John Wayne Gacy Jr.”

I never harbored a particular fear of clowns, but after spending a theatrical Evening With John Wayne Gacy Jr., my predilections just might have changed. The show was produced by Infinite Abyss and staged at the Wilton Theater Factory, and Ronnie Larsen both wrote the play and stars as Gacy. The character makes his firstContinue reading “Honoring The Spookiness of the Season At “An Evening With John Wayne Gacy Jr.””

Dispatch From Day 1 Of The Delray Beach Playhouse’s Playwright’s Festival

For the period of slightly over a month that this blog has as of yet been in existence, I have not had the chance to report on a theatrical event that I was actively involved in. However, since the first night of the Delray Beach Playhouse’s inaugural Playwrights’ Festival was far too interesting to leaveContinue reading “Dispatch From Day 1 Of The Delray Beach Playhouse’s Playwright’s Festival”

Two Promising Plays-In-Process At Theatre Lab’s Playwright’s Forum

When we go to theatre, we’re used to seeing plays in their final, perfected form, so it’s somewhat easy to forget all the hard work and revisions a play goes through while its making its way towards that hallowed state.  Fortunately, we sometimes get a rare glimpse of what happens behind the scenes thanks toContinue reading “Two Promising Plays-In-Process At Theatre Lab’s Playwright’s Forum”

Revisiting An Old Favorite At “The Glass Menagerie”

Before I say anything about Maplewood Playhouse’s production of The Glass Menagerie, which opened last night at the small Delray Beach theatre usually occupied by Improv U, I suppose it’s my duty to preface this review with the fact that I got approximately 2 hours of sleep last night and I am categorically incapable ofContinue reading “Revisiting An Old Favorite At “The Glass Menagerie””

Exploring Intimacy In Some Unique Black Box Productions

Like the Alice who inspired my blog’s name, I can sometimes get very, very, curious, which is why I recently ventured quite a ways off my beaten path to Wilton Manors, a city which has been officially named the “second gayest city in America,” to see a play called “Grindr Mom” by acclaimed gay playwrightContinue reading “Exploring Intimacy In Some Unique Black Box Productions”

Unpleasant Truths On Exhilarating Theatrical Display at “Falling,” and “A Streetcar Named Desire,”

I’d certainly been looking forward to Falling after attending many of the New City Players’ lead up events, and it certainly didn’t disappoint. The fast-paced 75-minute show never dragged or faltered, and, as promised, it offered us a rare window into the seldom represented day-to-day life of a family dealing with a severely autistic child.Continue reading “Unpleasant Truths On Exhilarating Theatrical Display at “Falling,” and “A Streetcar Named Desire,””